T
Tim McNamara
Guest
[email protected] (Carl Fogel) writes:
> It's curious how many people feel that there are some
> things that man was never meant to measure with anything
> but the seat of his pants, like spoke tension.
Well, as I mentioned in the other thread, experience results
in perceptual learning. There's a biological limit to how
fine-grained perception can be (and even that can be
overcome to a degree- for example, vascular surgeons using
visual magnifying equipment can make tiny, accurate
movements that would not be possible without magnification).
> Oddly enough, the stress-relief of spokes that you call
> the single most important step may be one of these
> sacred cows:
>
> "The fatigue resistance of spokes was not tested for lack
> of suitable equipment." ("The Bicycle Wheel," 2nd edition,
> Part III, "Equations and Tests")
>
> And the stress-strain graphs of the tests of actual
> stainless steel spokes in that section (figure 69) don't
> look at all like the stress-strain graph used to explain
> elastic limits (figure 15). The curves of the actual spoke
> tests just climb toward failure without any intermediate
> drop at an elastic limit (which I gather is the normal
> behavior of stainless steel--it shows no elastic limit).
>
> Perhaps the third edition addressed this?
You'd have to ask Jobst, eh?
> To be honest, I can't see any objective difference between
> checking tension by ear (bikefixr's approach) and grabbing
> spoke pairs and giving 'em a good squeeze to relieve
> tension (current received wisdom on rec.bicycles.tech).
Oops, apples and oranges. Stress relieving is basically cold
setting the spokes to relieve residual stresses that remain
in the metal from the process of forming the elbow and head
(as I understand it, anyway). What bikefixr is talking about
is judging spoke tension by ear, which is unrelated to
stress relieving.
> Are there any studies showing actual results for these seat-of-the-
> pants approaches? That is, someone showing his ear to be
> as good at measuring tension as a high-quality
> tensiometer, or someone showing measurable effects from
> spoke-squeezing?
This is not a scientific study by any means, but in my
personal experience I can hear differences in spoke tension
that do not register on my Wheelsmith tensiometer. The
change in pitch caused by changing tension on a wire is
mathematically a very precise relationship. It's the same as
tuning a stringed instrument, in whcih case again the ear is
more sensitive than measuring the string tension. I don't
have any specific studies I can refer you to, this is from
my undegrad class in perception umpteen years ago. Come to
think of it, though, there was a thread on this a couple of
years ago and I had dug out my old textbooks to look up the
sensitivy of the ear to pitch changes.
> Either method may work. Anyone who can tune a violin can
> see the idea behind spoke-plucking, and a healthy squeeze
> might relieve some kind of tension in a spoke already
> under 200 to 500 lbs of tension.
Again, apples and oranges.
> I'm just curious if anyone has ever demonstrated that
> either method works in a fashion that could be presented
> and repeated in an engineering course.
You'd have to ask Jobst if his stress relieving technique
causes a high enough momentary increase in tension to cold
set the spoke material. But that's a different question than
judging spoke tension by pitch.
> It's curious how many people feel that there are some
> things that man was never meant to measure with anything
> but the seat of his pants, like spoke tension.
Well, as I mentioned in the other thread, experience results
in perceptual learning. There's a biological limit to how
fine-grained perception can be (and even that can be
overcome to a degree- for example, vascular surgeons using
visual magnifying equipment can make tiny, accurate
movements that would not be possible without magnification).
> Oddly enough, the stress-relief of spokes that you call
> the single most important step may be one of these
> sacred cows:
>
> "The fatigue resistance of spokes was not tested for lack
> of suitable equipment." ("The Bicycle Wheel," 2nd edition,
> Part III, "Equations and Tests")
>
> And the stress-strain graphs of the tests of actual
> stainless steel spokes in that section (figure 69) don't
> look at all like the stress-strain graph used to explain
> elastic limits (figure 15). The curves of the actual spoke
> tests just climb toward failure without any intermediate
> drop at an elastic limit (which I gather is the normal
> behavior of stainless steel--it shows no elastic limit).
>
> Perhaps the third edition addressed this?
You'd have to ask Jobst, eh?
> To be honest, I can't see any objective difference between
> checking tension by ear (bikefixr's approach) and grabbing
> spoke pairs and giving 'em a good squeeze to relieve
> tension (current received wisdom on rec.bicycles.tech).
Oops, apples and oranges. Stress relieving is basically cold
setting the spokes to relieve residual stresses that remain
in the metal from the process of forming the elbow and head
(as I understand it, anyway). What bikefixr is talking about
is judging spoke tension by ear, which is unrelated to
stress relieving.
> Are there any studies showing actual results for these seat-of-the-
> pants approaches? That is, someone showing his ear to be
> as good at measuring tension as a high-quality
> tensiometer, or someone showing measurable effects from
> spoke-squeezing?
This is not a scientific study by any means, but in my
personal experience I can hear differences in spoke tension
that do not register on my Wheelsmith tensiometer. The
change in pitch caused by changing tension on a wire is
mathematically a very precise relationship. It's the same as
tuning a stringed instrument, in whcih case again the ear is
more sensitive than measuring the string tension. I don't
have any specific studies I can refer you to, this is from
my undegrad class in perception umpteen years ago. Come to
think of it, though, there was a thread on this a couple of
years ago and I had dug out my old textbooks to look up the
sensitivy of the ear to pitch changes.
> Either method may work. Anyone who can tune a violin can
> see the idea behind spoke-plucking, and a healthy squeeze
> might relieve some kind of tension in a spoke already
> under 200 to 500 lbs of tension.
Again, apples and oranges.
> I'm just curious if anyone has ever demonstrated that
> either method works in a fashion that could be presented
> and repeated in an engineering course.
You'd have to ask Jobst if his stress relieving technique
causes a high enough momentary increase in tension to cold
set the spoke material. But that's a different question than
judging spoke tension by pitch.