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question about recovery

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General fitness, health and nutrition
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23 June 2005
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25 June 2005
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  1. I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    Andres

  2. <[email hidden]> wrote in message
    news:[email hidden]...

    Quoted message said:

    I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    Andres

    why wouldn't it make sense?

    the finger tips close to the water force a hig elbow recovery, and this
    combined with keeping the hand close to the body represents the shortest
    line between two points - your hip at the exit and in line with your
    shoulder at the entry.

  3. Quoted post said:

    I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    It makes sense to me, especially considering that's pretty much the
    recommended way of doing it.

  4. Thank you both. I do have a high elbow recovery and always thought that
    my recovery was good. Recently I have been doing a lot of long slow and
    have cut my strokes x 25 yds to 15. I have noticed that if I do the
    close to the body hand with fingers barely on top of the surface, I do
    15 strokes comfortably without having to glide much on the last stroke
    before the flip. OTOH, if I relax my arm and don't think of the
    recovery I'll have to glide more before the flip.

    something that I have noticed is that my ideal strokes are 17 for
    speed. However, by doing long slow, I am doing much better with the
    speed. At first, it was hard to do long slow. I could barely do 16-17.
    I started doing a lot of shark fin drills to get it down to 15. Now, I
    can totally relax and do the 15 strokes and when I do a hard set, I do
    much better. I think that by doing long slow, it has forced me to
    breath a little less frequently. when I cut the strokes and increase my
    speed, I have plenty of O2.

    Does any of this make sense?

    Andres

  5. "Otis B. Driftwood" <[email hidden]> wrote in message
    news:[email hidden]...

    Quoted message said:
    Quoted post said:

    I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    It makes sense to me, especially considering that's pretty much the
    recommended way of doing it.

    Only by some coaches.

    This, like so many other things in swimming, is an example of the complexity
    and multiple optimums available to a swimmer; and a reminder that it has
    always been, and should continue to be, an ART rather than a SCIENCE.

  6. Quoted post said:


    I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    It makes perfect sense. In principle, with your elbow well bent and
    your hand near your body during recovery, your moment of inertia will be
    much smaller and the torque required to recover the arm will be less.
    Remember, it's I = MR^2. A small decrease in radius can make a big
    improvement.

    A smaller moment of inertia should mean both a quicker recovery and less
    fishtailing. Less fishtailing should mean less drag, and perhaps a
    faster swimmer.

    In practice it works for most people, but there are some exceptions
    (most notably Janet Evans). If your arms are short, the reduction in
    torque may not be so important. And you may be able to use that torque
    to add a bit of a body dolphin to your stroke.

    Ross

  7. Quoted message said:

    I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    Andres

    Interesting. Whenever we do "drill" sets, I often do "finger tip
    drag". You simply drag your finger tips along the top of the water as
    you recover. Like you, it usually feels quite good, like it helps my
    stroke a lot. I've never correlated it with speed, however. Certainly
    at the elite level there's plenty of evidence that "finger tip drag" is
    not THE path to success. All kinds of stiff armed, over the top, or
    flat recoveries. I suspect that the slow, contemplative nature of
    drilling is not a luxury that can be afforded when going for maximum
    speed. That's a good point jtaylor has made - it's what you do being
    raced down on both sides while your blood chemistry crumbles under the
    effort that matters.

    Eric

  8. <[email hidden]> wrote in message
    news:[email hidden]...

    Quoted message said:
    Quoted message said:

    I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    Andres

    Interesting. Whenever we do "drill" sets, I often do "finger tip
    drag". You simply drag your finger tips along the top of the water as
    you recover. Like you, it usually feels quite good, like it helps my
    stroke a lot. I've never correlated it with speed, however. Certainly
    at the elite level there's plenty of evidence that "finger tip drag" is
    not THE path to success. All kinds of stiff armed, over the top, or
    flat recoveries. I suspect that the slow, contemplative nature of
    drilling is not a luxury that can be afforded when going for maximum
    speed. That's a good point jtaylor has made - it's what you do being
    raced down on both sides while your blood chemistry crumbles under the
    effort that matters.

    Eric

    There is a movement towards straight-arm recovery during sprint freestyle
    amongst many 'elite' coaches.

    We were at the Grand Prix meet in Indy the other week and i got to watch
    Natalie Coughlin using it live for the first time. It doesn't look as messy
    and hurried as you would think it would.

    Steve

  9. The Australians, ever the true pioneers in this sport, have been
    looking at straight arm recovery for awhile. The chief reason for
    their interest is the belief that when a swimmer increases their kick
    during a sprint, they tend to slow down their stroke rate. However, if
    they are using straight-arm recovery, the stroke rate tends to stay the
    same or even increase as the swimmer really gets on their kick.

    Eric

  10. Quoted post said:

    Thank you both. I do have a high elbow recovery and always thought that
    my recovery was good. Recently I have been doing a lot of long slow and
    have cut my strokes x 25 yds to 15. I have noticed that if I do the
    close to the body hand with fingers barely on top of the surface, I do
    15 strokes comfortably without having to glide much on the last stroke
    before the flip. OTOH, if I relax my arm and don't think of the
    recovery I'll have to glide more before the flip.

    something that I have noticed is that my ideal strokes are 17 for
    speed. However, by doing long slow, I am doing much better with the
    speed. At first, it was hard to do long slow. I could barely do 16-17.
    I started doing a lot of shark fin drills to get it down to 15. Now, I
    can totally relax and do the 15 strokes and when I do a hard set, I do
    much better. I think that by doing long slow, it has forced me to
    breath a little less frequently. when I cut the strokes and increase my
    speed, I have plenty of O2.

    Does any of this make sense?

    If you are like me, when you use long, slow strokes, you concentrate
    more on the shape and efficiency of each stroke, so it makes sense to
    me that your speed would improve. But if you can maintain the shape
    and efficiency as you increase the tempo, I'll bet you'll see a lot
    more speed improvement.

  11. Otis B. Driftwood said:

    If you are like me, when you use long, slow strokes, you concentrate
    more on the shape and efficiency of each stroke, so it makes sense to
    me that your speed would improve. But if you can maintain the shape
    and efficiency as you increase the tempo, I'll bet you'll see a lot
    more speed improvement.

    Actually, one of the things I try to do is not to do drills that are
    separated from swimming. I try to swim non stop and incorporate a drill
    into a few laps. So, I'll do five laps of long slow focusing on keeping
    hands close to my body and the water. Then, w/o stopping I'll do five
    more laps focusing on the glide, or the catch, or something else. My
    hope is that when I start focusing on a particular thing, the thing
    that I focused on before will stay with me. I usually do a 2200 yd
    non-stop swim and I focus one one thing for five laps. I hate to stop
    when I swim. When I do tempo, I still don't stop. I'll do five laps of
    tempo and then I'll try to recover w/o loosing form. I am hoping that
    by doing this, the things that I'll do in long slow will get
    incvorporated into the tempos. What I have noticed is that my tempos
    are getting easier to do, even though my stroke count always increases
    from 15 to 17 per length.

    I do absolutely love the feeling of doing lap after lap of long slow
    w/o effort feeling totally relaxed.

    Andres

  12. jtaylor said:


    "Otis B. Driftwood" <[email hidden]> wrote in message
    news:[email hidden]...

    Quoted message said:
    Quoted post said:

    I noticed that if I keep my hand close to the body and my fingertips
    close to the water when recovering, I move faster than if I don't. does
    this make sense, or am I imagining this?

    It makes sense to me, especially considering that's pretty much the
    recommended way of doing it.

    Only by some coaches.

    This, like so many other things in swimming, is an example of the complexity
    and multiple optimums available to a swimmer; and a reminder that it has
    always been, and should continue to be, an ART rather than a SCIENCE.

    Only synchronized swimming is an art. In virtually every other form
    of swimming, it's raw speed that counts -- you don't gain any points
    for looking pretty or swimming with fewer strokes. Beware of any
    coach or salesman who refers to swimming as an 'art', because he/she
    is allowing for the possibility that the program need not produce
    measurable improvements, only better looking swimming.

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